The story of Preminger's struggle to get the movie made has become Hollywood legend. As he tells it in his autobiography, Zanuck saw him as a producer, not a director, and assigned Rouben Mamoulian to the piece. When the early rushes were a disaster, Preminger stepped in, reshot many scenes, replaced the sets, and fought for the screenplay. Zanuck insisted that another ending be shot; the film was screened for Zanuck and his pal Walter Winchell, a real gossip columnist, who said he didn't understand the ending. So Zanuck let Preminger have his ending back, and while the business involving the shotgun in the antique clock may be somewhat labored, the whole film is of a piece: contrived, artificial, mannered, and yet achieving a kind of perfection in its balance between low motives and high style. What makes the movie great, perhaps, is the casting. The materials of a B-grade crime potboiler are redeemed by Waldo Lydecker, walking through every scene as if afraid to step in something.
Two issues of Chelsea were given over to new writings by her, It Has Taken Long (1976) and The Sufficient Difference (2001). Publication of her work has continued since her death in 1991, including First Awakenings (her early poems) (1992), Rational Meaning: A New Foundation for the Definition of Words (1997), The Poems of Laura Riding, A Newly Revised Edition of the 1938/1980 Collection (2001), Under The Mind's Watch (2004), The Failure of Poetry, The Promise of Language (2007), and On the Continuing of the Continuing (2008). The latest book to appear is her two-volume literary memoirs, The Person I Am (2011). Her works have been published in France, Germany, Spain, Denmark, Poland, Brazil and Norway .